Simon Gales

From Gravity to Light

A single colour that continues from the first panel onto the one behind, a step down of no more than half a centimetre, can be of a different light or tone purely as a result of a slight difference in distance from the eye so that the work becomes, in varying degrees, kinetic…

Banal colours such as digital greys can be sublime and there is something so 21st century about them, very minimal, very contemporary, hence my reluctance to use any shade that resembles black.

See here for more details on his work.